
When too few bits are used to represent a signal, each sample is rounded to the nearest allowed value and no longer matches the true signal level. The rounding errors cause noise, called quantization noise, because the actual signal is approximated using a small set of values. 8-bit computer audio is a good example of quantization noise, but the Red Panda Bitcrusher can go all the way down to 1 bit.
Bit crushers are great for shredding your signal, but they can also make your ears bleed. We spent months tweaking to make a more musical bit crusher (but it can still shred).
Scroll down for videos.

- Stereo bit crusher
- Works with guitar, bass, and line level instruments
- Flexible inputs and outputs for self-oscillation and feedback loops

- Developed using the Line 6 ToneCore® DSP Development Kit
- All new custom DSP code
- Works with stereo or mono ToneCore®
docks
We highly recommend a stereo dock!

- Custom knob responses provide wide range along with more control in the most useful ranges
- Proprietary bit reduction algorithm incorporating a noise gate and fractional bit depths
Samples
Switching between clean signal, envelope, hold, tracking down, and tracking up modes (in that order). Thanks to Jeremy Withers of The Inclined.
MP3
Delay-esque sound with gentle crushing, track up mode, and random LFO. Thanks to Jeremy Withers of The Inclined.
MP3
Dave Smith Instruments Mopho playing “Moroder 1” preset through the Red Panda bitcrusher. First few seconds are dry.
MP3
Noise: Red Panda Bitcrusher with Big Muff Pi in feedback loop.
MP3
Demo by FrankZ00
More videos below.

The tracking mode switch has different
functions depending on whether tracking is on
or off:
Tracking on (green LED):
- Track - Sampling rate decreases as pitch increases.
- Env Sampling rate modulated by the envelope detector.
- Track + Sampling rate increases as pitch increases.
Tracking off (orange LED):
- Hold (Track -): Sampling rate is held at its last value (including modulation).
- Off: Sampling rate is unaffected.
- Hold (Track +): Sampling rate is held at its last value (including modulation).
Technical Specs
| Bit depth: | 1 to 24 bits fractional) |
| Sampling rate: | 152 Hz - 39 kHz |
| LFO rate: | 0.125 - 32 Hz |
| LFO waveform: | sine/square/random |
| Pitch tracking: | monophonic |
100 MIPS DSP
3,837 bytes code size
Stereo or mono operation
Tap/bypass switch
Requires 90 mA, center negative 9V DC power supply or 9V battery
(we recommend using the Line 6 DC1 power supply)
3,837 bytes code size
Stereo or mono operation
Tap/bypass switch
Requires 90 mA, center negative 9V DC power supply or 9V battery
(we recommend using the Line 6 DC1 power supply)
90 day warranty
Download the instructions here
(PDF).
We also have a patch sheet (PDF) to record your favorite settings.
We also have a patch sheet (PDF) to record your favorite settings.
Mix knob controls wet/dry
balance.
Env knob does two things:
- Modulate the wet/dry mix by the input signal’s envelope.
- In “env” tracking mode, it also modulates the sampling rate by the envelope.
Crush control reduces the
number of bits used to represent the signal,
from 24 bits (0%) to 1 bit (100%). With quiet
guitar pickups, the signal level will
increase as the crush control is cranked up.
Line-level signals will be attentuated. (When
necessary, you can mix in some of the dry
signal to keep the level more consistent.)
Freq control sets the
sampling rate. Middle settings add inharmonic
distortion, lower settings shred the input
signal.
LFO knob controls how much the sampling rate is modulated by the LFO.
Speed knob controls the LFO rate, from slow modulation (0%) to audio rates (100%).
LFO knob controls how much the sampling rate is modulated by the LFO.
Speed knob controls the LFO rate, from slow modulation (0%) to audio rates (100%).
The LFO waveform can be switched between
sine, square, and random step (sample and
hold). Sine is good for modulation. Square
has a similar sound to ring modulation at
higher rates. Random works well for computers
in sci-fi movies.

Line 6 and ToneCore are registered trademarks of Line 6, Inc.
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